Ceramics practice is intimately bound with notions of sensibility, and is linked to my sense of perception as a means to gather knowledge.  Clay has taught me to not just listen with my ears or only see with my eyes, but has taught me to use every part of my body as a conduit, ready to receive and transmit information. I work intuitively, immerse myself in the material, allowing the process to unfold.

Of mixed heritage, my lineage includes AmaXhosa, Zambian and Khoi ancestors. When I create, I’m always conscious of a female presence which I recognize as my late grandmother who opened my eyes to the plight of her Khoi people.